In this article the essay Art and Philosophy by A. Badiou where the French philosopher contemplates specifics of interrelations of Art and Phi-losophy is analyzed. In XX century he formally classified these relations in three schemes: didactic, romantic and classical. Among the major tendencies of thought in that century, he mentions Marxism, psychoanalysis and Ger-man hermeneutics. In opposition to these three schemes, the philosopher suggests the fourth method of connecting Art and Philosophy.
Art and Philosophy, their interrelations, didactic scheme of relations, romantic scheme of relations, classical scheme of relations, Marxism, psychoanalysis, German hermeneutics, A. Badiou’s fourth scheme, criticism
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